place and birth: Cilacap, 22 Januari 1979
Address: Jl. Parangtritis km. 6,5 Prancak Glondong, Rt. 06, Sewon-Bantul Yogyakarta
Phone: 081328746624, 081904157400
Email: rumahtadji_24@yahoo.co.id
education
2007 -present : S-2 Antropologi UGM Yogyakarta
2000 – 2005 Indonesia Institute of Arts, Jogjakarta, Indonesia, Graduated S.Sn. (Bachelor of Arts),
Textile’s Department.
1998 – 2000 Interstudi School of Design, Jakarta
selected group exhibition
2009
FiberFace#2: Evolution, Fiber Art Exhibition, Taman Budaya Yogyakarta.
Havana Biennale, collaboration with Pungkasila Project on batik pattern camouflage+Danius Kesminas (AUS) “Acronym Wars” in Havana-Cuba
2008
Highlight: dari Medium ke Transmedia, Jogja National Museum, Yogyakarta.
Asia Fiber Art Exhibitation “Traditional and Modernity, Bentara Budaya Jakarta
Yaasiiin: The Untranslatable, Jogja Galery Yogyakarta
Boys and Girls, contemporary art, youth life and culture in two part, IVVA BOOK AID, Edwin Galery, Jakarta
Punkasila Project on batik pattern camouflage+Danius Kesminas (AUS), “Acronym Wars” In Chicago (AS).
“Kebudayaan Indonesia telah Mati”, Societet Militer Yogyakarta
Performance Art on PAF “Dandhang Gulo” pantai Parangkusumo-Yogyakarta
2007
Punkasila Project on batik pattern camouflage+Danius Kesminas (AUS), “Acronim Wars” In; Kedai Kabun Forum–Yogyakarta and Sydney, Melbourne-Australia
Batik Performance on Full Moon Maliobo
ro VI, Malioboro-Yogyakarta
Visual Art Exhibition, Hotel Melia Purosani-Lana Galery Yogyakarta.
Fiber Art “FiberFace”, Babaran Segoro Gunung Galery Yk
Fiber Art “F iberFace”, JakARTa Galery, Jakarta.
Workshop&Empowerment batik Gi
riloyo-Imogiri-Yogyakarta Community with Trilodji- Berkah Lestari batik craftman. Develop traditional and contemporer batik.
Address: Dusun Kersan Jogjakarta, Mobile: +62818274814, email: caroline_rika@yahoo.com www.carolinerikawinata.blogspot.com
Place & Date of Birth Bandung, 20 November 1976
Education
1995 – 2000 Indonesia Institute of Arts, Jogjakarta, Indonesia, Graduated S.Sn. (Bachelor of Arts), Textile’s Craft
Work :
Recent Textile Artist, Designer and Freelance Teacher, especially in tie dye and batik
Owner of WIRU handmade tie dye and batik
2007 – 2008 Fashion stylish, Kabare Magazines, Jogjakarta
2004 Designer, Research and Development of “celup”, tie dye apparel home industry.
Apr – Jun 2003 Assistant for Japanese Basket Artist, Kyoko Ogawa
Sept – Oct 2002 Assistant for Artist of Bussaries For Artist Award from UNESCO – Cemeti Arts Foundation
Nov 2000 – Jan 2001 Guest Teacher in Yakkum craft, for handycap student
Nov 2000 – March 2002 Assistant Editor of “Surat” three monthly Newsletter of Cemeti Arts Foundation
Solo Exhibition
2005 “Before and After”, Kedai Kebun Forum, Jogjakarta
Selected Group Exhibition
2009 “”Love Tanks” with S. Teddy D , National Gallery of Singapore, Singapore
“Kunduran Truk”, Kersan Art Space, Jogjakarta
“Anarko-body”, O-House Gallery, Jakarta
“Fiber Face 2″, Fiber Arts Exhibition, Taman Budaya Jogjakarta
2008 “Love Letter in Twelth Month”, O House Gallery, Jakarta
“Loro Blonyo”, Omar and Beatrix Wedding Exhibition, Magelang
“Asia Fiber Arts VI” Fiber Arts Exhibition, Bentara Budaya Jakarta
2007 “Shadow of Prambanan”, Jogja Gallery, Jogjakarta
“Fiber Face”, Babaran Segara Gunung, Jogjakarta
Indonesia Woman Artist Exhibition “Intimate Distance”, National Gallery, Jakarta.
2006 “Beyond Reality”, Grand Opening V-Art Gallery, Jogjakarta
“Young Arrows”, Jogja Gallery, Jogjakarta
2005 “Jogja Biennale VIII”, Taman Budaya, Jogjakarta
“Bali Biennale”, Tony Raka Gallery, Ubud, Bali
“Pra-Bali Biennale: On Discourse”, Museum Affandy-V art Gallery, Jogjakarta
“ Arafura Craft Exchange”, Indonesia-Australia, Museum and Gallery of Arts Northern Territory (MAGNT), Darwin, Australia .
2004 “Menimbang Dunia Perempuan”, Taman Budaya, Jogjakarta
“Dream”, Outmagz Arbituary, Jogjakarta
2003 “Mesh”, textille exhibition, Nanyang Institute of Education Gallery, Singapore.
“Bermain Jerami”, Warsawah, Jogjakarta
“Girl Talk” , Edwin Gallery, Jakarta.
“Fussion Streght”, Exhibition and Collaboration Performance with Singapore Artist, Langgeng Gallery, Magelang: Puri Art Gallery, Malang: Benda Gallery, Jogjakarta.
1. “Dog Show”, Surounded By Water, artist-run-space, Manila, Philipines
“Tali Ikat: Fiber Connection”, International Fiber Arts Exhibition, Taman Budaya, Jogjakarta
“Rupa Kata”, Gelaran Budaya, Jogjakarta
1. ““ABRAKADABRA (A Simulacrum Forest)”, a collaboration installation with Irene Agrivina, Benda Gallery, Jogjakarta
“Women Claim Their Space”, National Gallery, Jakarta
1. “The International Jogjakarta Batik Competition and Festival with Natural Dyes”, Hyatt Regency Hotel, Jogjakarta
1. “Dies Natalis XV”, Indonesia Institute of Arts’ Gallery, Jogjakarta
“Horizon ‘95”, Contemporary Craft Exhibition, Benteng Vrederburg, Jogjakarta
“Outdoor Instalation in Human Rights Day” , Indonesian Institute of Arts, Jogjakarta
1. “Bias Kuntum Saraswati”, Women Artist Exhibition, Affandi’s Museum, Jogjakarta
“Jogjakarta Arts Festival IX”, Purna Budaya, Jogjakarta
1997 “Batik World, The International Batik Competition, Exhibition and Conference”, Sheraton Mustika Hotel, Jogjakarta
“Contemporary Textile Exhibition”, Ngayogyakarta Royal Place, Jogjakarta
Art Activities
2008 Costume maker for “Are you Ok?”, performing arts by Fitri Setianingsih
2007 Costume maker for “Flower Speech”, performing arts choreographed by Fitri Setianingsih
And also involved in some Fashion Show in Jogjakarta and Jakarta
Awards and Grants
Fifth Winner of “Batik World”, The International Batik Competition, 1997
Nomination of International Batik Competition and Jogjakarta Batik Festival, 2000
Favorite Winner of “Fashion in National Textile Design Competition”, Jakarta, 2004.
“Artist in School”, Grant from Northern Territory Government, Australia, 2005
Public Collection
Textile Museum Indonesia, Jakarta
South East Asia Works, Museum and Gallery of Arts Northern Territory, Darwin, Australia
Selected Publication
“The Result of Batik Competition had been repeated”, Kompas National Daily Newspaper, 7 November 1997.
“The FKY X Installation’s Exhibition Speak about Concern”, Bernas Daily, 16 July 1998.
“Art of Batik and It’s Problem”, by Citra WK, ASRI Interior Magazine Vol. 179, February 1998
“The Awakening of Jogjakarta Batik Motif”, DEWI, Style and Cosmopolitan Magazine, Vol 11/IX, November 2000
“From Politic until Gender’s Critical”, by Mas’ad T, Panji Magazine, 16 May 2001
“A New Generation of Woman Artists Claim Their Space”, by Carla Bianpoen, Indonesian Observer, 5 –6 May 2001
“Perempuan dan Diseminasi Makna Ruang”, Surat YSC, Vol.10, 2001
“Visual Arts Exhibition ”Abrakadabra”, Kedaulatan Rakyat Daily, 9 Oktober 2001.
“Fiber Art Exhibition was held by Cemeti Art Foundation”, Solo Post, 3 Sept 2002
“’Tali Ikat’, Gathering Multination Artist”, Bernas Daily, 3 Sept 2002
“Tali Ikat, Fiber Art Exhibition”, Kedaulatan Rakyat Daily, 5 Sept 2002
“From ‘Tali Ikat’: Fiber Connections at Taman Budaya Jogjakarta”, Jawa Post (Radar Jogja), 6 Sept 2002
“Some Ideas from Fiber”, Solo Post, 7 Sept 2002
“’Miracle’ Touching the Fiber by Multinational Artist”, Bernas 7 Sept 2002
“Fiber Art Exhibition, Tali Ikat”, Indosiar.com news, 17 Sept 2002
“Fiber Arts, Craft and Visual Arts”, Tempo Daily, 20 Sept 2002
“Fiber Metamorforses”, DEWI, Style and Cosmopolitan Magazine, Vol I/XII, Januari 2003
“Visual Arts Exhibition ‘Fusion Strength 2003, Collaboration of Indonesian-Singaporean’s Artist”, Kedaulatan Rakyat Daily, 14 January 2003.
“’Fusion Strength’ the fusion between Jogja-Singapore, had been exhibited in Langgeng Gallery Magelang”, Bernas Daily, 17 January 2003
“Singaporean, RI artists blend in fusion”, The Jakarta Post, 20 January 2003.
“Feature: New Comer : Caroline Rika”, Cita Cinta, Women Magazine, No.21/IV, 16 – 29 October 2003.
“Snapshot”, Surat YSC, Cemeti Arts Foundation Newsletter, Vol. 17.
birth: Yogyakarta, 25 Mei 1980
address: Kweni Panggungharjo Sewon Bantul Yogyakarta
phone: 081328788729
email: rifqisang@yahoo.com
Education 1999 – 2005 Indonesia Institute of Arts, Jogjakarta, Indonesia,
Graduated S.Sn. (Bachelor of Arts), Textile’s Department
awards
Karya terbaik Dies Natalis ISI tahun 2005
Aktifitas pameran 3 tahun terakhir
2007
Pameran seni serat “Fibre Face” di Babaran Segoro Gunung, Yogyakarta
Pameran seni serat ”Fibre Face” di Jakarta art, Jakarta.
Pameran Tanda Mata V di Bentara Budaya Yogyakarta.
Pameran “Neo Nation” Biennale Yogyakarta ke 9, Taman Budaya Yogyakarta.
2008
Pameran “Boys\Girls-Contemporary Art, Youth Life and Culture in Two Parts”, Edwin Gallery, Jakarta.
Project Invasi Objek Private, IVAA Yogyakarta
Pameran Seni rupa, Yasin: The Untranslatable, Jogja Gallery, Yogyakarta
Pameran JOGJA DEATHMATCH, Roommate, Yogyakarta.
Pameran Highlight, dari medium ke Transmedia, Jogja National Museum, Yogyakarta.
Pameran Seni rupa dan presentasi Project Invasi Object Private, Back!, Roommate, Yogyakarta.
2009
FiberFace#2: Evolution, fiber art exhibition, Taman Budaya Yogyakarta
Filed under: Caroline Rika Winata
Caroline Rika Winata
Saya tertarik pada fenomena-fenomena budaya masa. Karya-karya saya banyak mengeksplorasi budaya konsumsi yang menjadi sistem baru masyarakat kontemporer dewasa ini. Akhir-akhir ini saya banyak melakukan riset terhadap idiom budaya massa, seperti tiket kereta api, beha bekas dan lain-lain. Idiom itu membantu dalam mengkomunikasikan pesan melalui karya.
Ketertarikan saya pada seni serat oleh karena media ini terbuka untuk dieksplorasi dan memiliki ruang eksperimen tanpa batas. Salah satunya adalah teknik celup ikat, bagi saya teknik ini sangat menarik karena teknik ini melahirkan berbagai hasil tak terduga. Saya menerapkan temuan ini untuk membuat motif dan bentuk pada karya saya.Karya-karya yang diciptakan berupaya mengajak audiens untuk melihat berbagai budaya konsumsi sebagai fenomena yang tak terelak dan menarik untuk dikaji lebih jauh.
I am interested to the phenomenon of mass culture. My artworks often explore the culture of consumerism which becomes the new system within the current contemporary society. Recently I did many researches to the idiom of mass culture, such as train tickets, used bras, etc. The idiom helps in communicating messages through my artworks.
My interest to fiber art is because this medium is open for explorations and it has unlimited space for experiments. One of them is the tie-dye technique, which is very interesting for me because the technique gives unpredictable results. I apply this discovery in creating motifs and shapes in my works. The artworks I made are trying to take the audience to see further into the culture of consumerism as an inevitable phenomenon and how interesting it is to be discussed further.
Filed under: Rifqi Sukma
Artist Statement
Rifqi Sukma
Dunia ketaksadaran merupakan sumber inspirasi yang kaya. Karya-karya saya melibatkan berbagai tanda-tanda nirsadar ini dalam pengalaman hidup saya sendiri. Saya menuliskan kalimat-kalimat yang kadang saya sendiri tidak tahu artinya atau tidak lazim digunakan ketika berkomunikasi dalam keseharian, hanya keluar begitu saja saat sendirian.
Sejumlah kata-kata ini saya tuangkan dalam dalam karya. Seni serat bagi saya merupakan suatu medium yang unik, artistik dan mempesona untuk dieksplorasi menjadi karya. Ia bisa dilipat, dijahit, dibordir, diwarna ataupun dipilin sesuai kehendak hati. Dalam berkarya saya mengunakan tehnik sulam, kniting dan bordir, atau penggabungan dari teknik tersebut.
Ketaksadaran bagi saya, juga sebuah mitos yang menyimpan berbagai tanda yang asing, absurd dan tak dikenal. Melalui karya-karya ini, saya Berharap karya-karya ini bisa mengajak audiens untuk melihat apa yang tidak mungkin dalam bahasa.
The subconscious world is a source rich with inspirations. My artworks elaborates various subconscious symbols within my own personal life experiences.
I wrote sentences that sometimes I don’t know the meanings or it’s not commonly used in daily communication, yet they appear whenever I’m alone.
A number of these words I made into artworks. Fiber art for me is a unique medium, artistic and enchanting to be explored into artworks. It could be folded, sewed, embroidered, colored, or coiled according to the heart’s whim. In creating artworks I used the techniques of embroideries and knitting, or a mixture of both techniques.
Filed under: Abdul Syukur
Artist Statement
Abdul Syukur
Spiritualisme dalam budaya tradisi menjadi inspirasi yang banyak memengaruhi cara saya berkarya. Khususnya bagaimana spiritualisme ini bertautan dengan dengan budaya modern.
Teknik yang saya gunakan umumnya menggunakan teknik pilin, lukisan, bordir, sulam dan jahit. Teknik ini saya pilih karena memungkinkan saya untuk menghasilkan berbagai bentuk tak terduga.
Garis dan warna pada karya saya mengekspresikan ambiguitas antara apa yang profan dan sakral . Sebagai seniman, saya berharap karya saya bisa memberi kesadaran akan nilai-nilai spiritual yang terkandung dalam berbagai eksistensi budaya tradisi.
Spiritualism in the traditional culture is an inspiration which influences me a lot when creating artworks. Specifically in how spiritualism is interrelated with the modern culture.
The technique I use usually is coiling, painting, embroidery, and sewing. I choose the techniques because they enable me to create unpredictable forms. Lines and colors in my artworks express the ambiguity between the profane and the sacred. As an artist, my hope is my artworks could bring an awareness of the spiritual values embodied within the various existence of traditional cultures.
