place and birth: Cilacap, 22 Januari 1979
Address: Jl. Parangtritis km. 6,5 Prancak Glondong, Rt. 06, Sewon-Bantul Yogyakarta
Phone: 081328746624, 081904157400
Email: rumahtadji_24@yahoo.co.id
education
2007 -present : S-2 Antropologi UGM Yogyakarta
2000 – 2005 Indonesia Institute of Arts, Jogjakarta, Indonesia, Graduated S.Sn. (Bachelor of Arts),
Textile’s Department.
1998 – 2000 Interstudi School of Design, Jakarta
selected group exhibition
2009
FiberFace#2: Evolution, Fiber Art Exhibition, Taman Budaya Yogyakarta.
Havana Biennale, collaboration with Pungkasila Project on batik pattern camouflage+Danius Kesminas (AUS) “Acronym Wars” in Havana-Cuba
2008
Highlight: dari Medium ke Transmedia, Jogja National Museum, Yogyakarta.
Asia Fiber Art Exhibitation “Traditional and Modernity, Bentara Budaya Jakarta
Yaasiiin: The Untranslatable, Jogja Galery Yogyakarta
Boys and Girls, contemporary art, youth life and culture in two part, IVVA BOOK AID, Edwin Galery, Jakarta
Punkasila Project on batik pattern camouflage+Danius Kesminas (AUS), “Acronym Wars” In Chicago (AS).
“Kebudayaan Indonesia telah Mati”, Societet Militer Yogyakarta
Performance Art on PAF “Dandhang Gulo” pantai Parangkusumo-Yogyakarta
2007
Punkasila Project on batik pattern camouflage+Danius Kesminas (AUS), “Acronim Wars” In; Kedai Kabun Forum–Yogyakarta and Sydney, Melbourne-Australia
Batik Performance on Full Moon Maliobo
ro VI, Malioboro-Yogyakarta
Visual Art Exhibition, Hotel Melia Purosani-Lana Galery Yogyakarta.
Fiber Art “FiberFace”, Babaran Segoro Gunung Galery Yk
Fiber Art “F iberFace”, JakARTa Galery, Jakarta.
Workshop&Empowerment batik Gi
riloyo-Imogiri-Yogyakarta Community with Trilodji- Berkah Lestari batik craftman. Develop traditional and contemporer batik.
Filed under: Abdul Syukur
Artist Statement
Abdul Syukur
Spiritualisme dalam budaya tradisi menjadi inspirasi yang banyak memengaruhi cara saya berkarya. Khususnya bagaimana spiritualisme ini bertautan dengan dengan budaya modern.
Teknik yang saya gunakan umumnya menggunakan teknik pilin, lukisan, bordir, sulam dan jahit. Teknik ini saya pilih karena memungkinkan saya untuk menghasilkan berbagai bentuk tak terduga.
Garis dan warna pada karya saya mengekspresikan ambiguitas antara apa yang profan dan sakral . Sebagai seniman, saya berharap karya saya bisa memberi kesadaran akan nilai-nilai spiritual yang terkandung dalam berbagai eksistensi budaya tradisi.
Spiritualism in the traditional culture is an inspiration which influences me a lot when creating artworks. Specifically in how spiritualism is interrelated with the modern culture.
The technique I use usually is coiling, painting, embroidery, and sewing. I choose the techniques because they enable me to create unpredictable forms. Lines and colors in my artworks express the ambiguity between the profane and the sacred. As an artist, my hope is my artworks could bring an awareness of the spiritual values embodied within the various existence of traditional cultures.
