textstyleproject

CV Abdul Syukur

transjektory — Wed, 10 Jun 2009 17:54:32 +0000

place and birth: Cilacap, 22 Januari 1979

Address: Jl. Parangtritis km. 6,5 Prancak Glondong, Rt. 06, Sewon-Bantul Yogyakarta

Phone: 081328746624, 081904157400

Email: rumahtadji_24@yahoo.co.id

education

2007 -present : S-2 Antropologi UGM Yogyakarta

2000 – 2005 Indonesia Institute of Arts, Jogjakarta, Indonesia, Graduated S.Sn. (Bachelor of Arts),

Textile’s Department.

1998 – 2000 Interstudi School of Design, Jakarta

selected group exhibition

2009

FiberFace#2: Evolution, Fiber Art Exhibition, Taman Budaya Yogyakarta.

Havana Biennale, collaboration with Pungkasila Project on batik pattern camouflage+Danius Kesminas (AUS) “Acronym Wars” in Havana-Cuba

2008

Highlight: dari Medium ke Transmedia, Jogja National Museum, Yogyakarta.

Asia Fiber Art Exhibitation “Traditional and Modernity, Bentara Budaya Jakarta

Yaasiiin: The Untranslatable, Jogja Galery Yogyakarta

Boys and Girls, contemporary art, youth life and culture in two part, IVVA BOOK AID, Edwin Galery, Jakarta

Punkasila Project on batik pattern camouflage+Danius Kesminas (AUS), “Acronym Wars” In Chicago (AS).

“Kebudayaan Indonesia telah Mati”, Societet Militer Yogyakarta

Performance Art on PAF “Dandhang Gulo” pantai Parangkusumo-Yogyakarta

2007

Punkasila Project on batik pattern camouflage+Danius Kesminas (AUS), “Acronim Wars” In; Kedai Kabun Forum–Yogyakarta and Sydney, Melbourne-Australia

Batik Performance on Full Moon Maliobo

ro VI, Malioboro-Yogyakarta

Visual Art Exhibition, Hotel Melia Purosani-Lana Galery Yogyakarta.

Fiber Art “FiberFace”, Babaran Segoro Gunung Galery Yk

Fiber Art “F iberFace”, JakARTa Galery, Jakarta.

Workshop&Empowerment batik Gi

riloyo-Imogiri-Yogyakarta Community with Trilodji- Berkah Lestari batik craftman. Develop traditional and contemporer batik.

CV Caroline Rika Winata

transjektory — Wed, 10 Jun 2009 17:42:18 +0000

Address: Dusun Kersan Jogjakarta, Mobile: +62818274814, email: caroline_rika@yahoo.com www.carolinerikawinata.blogspot.com

Place & Date of Birth Bandung, 20 November 1976

Education

1995 – 2000 Indonesia Institute of Arts, Jogjakarta, Indonesia, Graduated S.Sn. (Bachelor of Arts), Textile’s Craft

Work :

Recent Textile Artist, Designer and Freelance Teacher, especially in tie dye and batik

Owner of WIRU handmade tie dye and batik

2007 – 2008 Fashion stylish, Kabare Magazines, Jogjakarta

2004 Designer, Research and Development of “celup”, tie dye apparel home industry.

Apr – Jun 2003 Assistant for Japanese Basket Artist, Kyoko Ogawa

Sept – Oct 2002 Assistant for Artist of Bussaries For Artist Award from UNESCO – Cemeti Arts Foundation

Nov 2000 – Jan 2001 Guest Teacher in Yakkum craft, for handycap student

Nov 2000 – March 2002 Assistant Editor of “Surat” three monthly Newsletter of Cemeti Arts Foundation

Solo Exhibition

2005 “Before and After”, Kedai Kebun Forum, Jogjakarta

Selected Group Exhibition

2009 “”Love Tanks” with S. Teddy D , National Gallery of Singapore, Singapore

“Kunduran Truk”, Kersan Art Space, Jogjakarta

“Anarko-body”, O-House Gallery, Jakarta

“Fiber Face 2″, Fiber Arts Exhibition, Taman Budaya Jogjakarta

2008 “Love Letter in Twelth Month”, O House Gallery, Jakarta

“Loro Blonyo”, Omar and Beatrix Wedding Exhibition, Magelang

“Asia Fiber Arts VI” Fiber Arts Exhibition, Bentara Budaya Jakarta

2007 “Shadow of Prambanan”, Jogja Gallery, Jogjakarta

“Fiber Face”, Babaran Segara Gunung, Jogjakarta

Indonesia Woman Artist Exhibition “Intimate Distance”, National Gallery, Jakarta.

2006 “Beyond Reality”, Grand Opening V-Art Gallery, Jogjakarta

“Young Arrows”, Jogja Gallery, Jogjakarta

2005 “Jogja Biennale VIII”, Taman Budaya, Jogjakarta

“Bali Biennale”, Tony Raka Gallery, Ubud, Bali

“Pra-Bali Biennale: On Discourse”, Museum Affandy-V art Gallery, Jogjakarta

“ Arafura Craft Exchange”, Indonesia-Australia, Museum and Gallery of Arts Northern Territory (MAGNT), Darwin, Australia .

2004 “Menimbang Dunia Perempuan”, Taman Budaya, Jogjakarta

“Dream”, Outmagz Arbituary, Jogjakarta

2003 “Mesh”, textille exhibition, Nanyang Institute of Education Gallery, Singapore.

“Bermain Jerami”, Warsawah, Jogjakarta

“Girl Talk” , Edwin Gallery, Jakarta.

“Fussion Streght”, Exhibition and Collaboration Performance with Singapore Artist, Langgeng Gallery, Magelang: Puri Art Gallery, Malang: Benda Gallery, Jogjakarta.

1. “Dog Show”, Surounded By Water, artist-run-space, Manila, Philipines

“Tali Ikat: Fiber Connection”, International Fiber Arts Exhibition, Taman Budaya, Jogjakarta

“Rupa Kata”, Gelaran Budaya, Jogjakarta

1. ““ABRAKADABRA (A Simulacrum Forest)”, a collaboration installation with Irene Agrivina, Benda Gallery, Jogjakarta

“Women Claim Their Space”, National Gallery, Jakarta

1. “The International Jogjakarta Batik Competition and Festival with Natural Dyes”, Hyatt Regency Hotel, Jogjakarta

1. “Dies Natalis XV”, Indonesia Institute of Arts’ Gallery, Jogjakarta

“Horizon ‘95”, Contemporary Craft Exhibition, Benteng Vrederburg, Jogjakarta

“Outdoor Instalation in Human Rights Day” , Indonesian Institute of Arts, Jogjakarta

1. “Bias Kuntum Saraswati”, Women Artist Exhibition, Affandi’s Museum, Jogjakarta

“Jogjakarta Arts Festival IX”, Purna Budaya, Jogjakarta

1997 “Batik World, The International Batik Competition, Exhibition and Conference”, Sheraton Mustika Hotel, Jogjakarta

“Contemporary Textile Exhibition”, Ngayogyakarta Royal Place, Jogjakarta

Art Activities

2008 Costume maker for “Are you Ok?”, performing arts by Fitri Setianingsih

2007 Costume maker for “Flower Speech”, performing arts choreographed by Fitri Setianingsih

And also involved in some Fashion Show in Jogjakarta and Jakarta

Awards and Grants

Fifth Winner of “Batik World”, The International Batik Competition, 1997

Nomination of International Batik Competition and Jogjakarta Batik Festival, 2000

Favorite Winner of “Fashion in National Textile Design Competition”, Jakarta, 2004.

“Artist in School”, Grant from Northern Territory Government, Australia, 2005

Public Collection

Textile Museum Indonesia, Jakarta

South East Asia Works, Museum and Gallery of Arts Northern Territory, Darwin, Australia

Selected Publication

“The Result of Batik Competition had been repeated”, Kompas National Daily Newspaper, 7 November 1997.

“The FKY X Installation’s Exhibition Speak about Concern”, Bernas Daily, 16 July 1998.

“Art of Batik and It’s Problem”, by Citra WK, ASRI Interior Magazine Vol. 179, February 1998

“The Awakening of Jogjakarta Batik Motif”, DEWI, Style and Cosmopolitan Magazine, Vol 11/IX, November 2000

“From Politic until Gender’s Critical”, by Mas’ad T, Panji Magazine, 16 May 2001

“A New Generation of Woman Artists Claim Their Space”, by Carla Bianpoen, Indonesian Observer, 5 –6 May 2001

“Perempuan dan Diseminasi Makna Ruang”, Surat YSC, Vol.10, 2001

“Visual Arts Exhibition ”Abrakadabra”, Kedaulatan Rakyat Daily, 9 Oktober 2001.

“Fiber Art Exhibition was held by Cemeti Art Foundation”, Solo Post, 3 Sept 2002

“’Tali Ikat’, Gathering Multination Artist”, Bernas Daily, 3 Sept 2002

“Tali Ikat, Fiber Art Exhibition”, Kedaulatan Rakyat Daily, 5 Sept 2002

“From ‘Tali Ikat’: Fiber Connections at Taman Budaya Jogjakarta”, Jawa Post (Radar Jogja), 6 Sept 2002

“Some Ideas from Fiber”, Solo Post, 7 Sept 2002

“’Miracle’ Touching the Fiber by Multinational Artist”, Bernas 7 Sept 2002

“Fiber Art Exhibition, Tali Ikat”, Indosiar.com news, 17 Sept 2002

“Fiber Arts, Craft and Visual Arts”, Tempo Daily, 20 Sept 2002

“Fiber Metamorforses”, DEWI, Style and Cosmopolitan Magazine, Vol I/XII, Januari 2003

“Visual Arts Exhibition ‘Fusion Strength 2003, Collaboration of Indonesian-Singaporean’s Artist”, Kedaulatan Rakyat Daily, 14 January 2003.

“’Fusion Strength’ the fusion between Jogja-Singapore, had been exhibited in Langgeng Gallery Magelang”, Bernas Daily, 17 January 2003

“Singaporean, RI artists blend in fusion”, The Jakarta Post, 20 January 2003.

“Feature: New Comer : Caroline Rika”, Cita Cinta, Women Magazine, No.21/IV, 16 – 29 October 2003.

“Snapshot”, Surat YSC, Cemeti Arts Foundation Newsletter, Vol. 17.

CV Rifqi Sukma

transjektory — Wed, 10 Jun 2009 16:58:09 +0000

birth: Yogyakarta, 25 Mei 1980

address: Kweni Panggungharjo Sewon Bantul Yogyakarta

phone: 081328788729

email: rifqisang@yahoo.com

Education 1999 – 2005 Indonesia Institute of Arts, Jogjakarta, Indonesia,

Graduated S.Sn. (Bachelor of Arts), Textile’s Department

awards

Karya terbaik Dies Natalis ISI tahun 2005

Aktifitas pameran 3 tahun terakhir

2007

Pameran seni serat “Fibre Face” di Babaran Segoro Gunung, Yogyakarta

Pameran seni serat ”Fibre Face” di Jakarta art, Jakarta.

Pameran Tanda Mata V di Bentara Budaya Yogyakarta.

Pameran “Neo Nation” Biennale Yogyakarta ke 9, Taman Budaya Yogyakarta.

2008

Pameran “Boys\Girls-Contemporary Art, Youth Life and Culture in Two Parts”, Edwin Gallery, Jakarta.

Project Invasi Objek Private, IVAA Yogyakarta

Pameran Seni rupa, Yasin: The Untranslatable, Jogja Gallery, Yogyakarta

Pameran JOGJA DEATHMATCH, Roommate, Yogyakarta.

Pameran Highlight, dari medium ke Transmedia, Jogja National Museum, Yogyakarta.

Pameran Seni rupa dan presentasi Project Invasi Object Private, Back!, Roommate, Yogyakarta.

2009

FiberFace#2: Evolution, fiber art exhibition, Taman Budaya Yogyakarta

Rika’s Statement

transjektory — Wed, 10 Jun 2009 16:36:31 +0000

Caroline Rika Winata

Saya tertarik pada fenomena-fenomena budaya masa. Karya-karya saya banyak mengeksplorasi budaya konsumsi yang menjadi sistem baru masyarakat kontemporer dewasa ini. Akhir-akhir ini saya banyak melakukan riset terhadap idiom budaya massa, seperti tiket kereta api, beha bekas dan lain-lain. Idiom itu membantu dalam mengkomunikasikan pesan melalui karya.

Ketertarikan saya pada seni serat oleh karena media ini terbuka untuk dieksplorasi dan memiliki ruang eksperimen tanpa batas. Salah satunya adalah teknik celup ikat, bagi saya teknik ini sangat menarik karena teknik ini melahirkan berbagai hasil tak terduga. Saya menerapkan temuan ini untuk membuat motif dan bentuk pada karya saya.Karya-karya yang diciptakan berupaya mengajak audiens untuk melihat berbagai budaya konsumsi sebagai fenomena yang tak terelak dan menarik untuk dikaji lebih jauh.

I am interested to the phenomenon of mass culture. My artworks often explore the culture of consumerism which becomes the new system within the current contemporary society. Recently I did many researches to the idiom of mass culture, such as train tickets, used bras, etc. The idiom helps in communicating messages through my artworks.

My interest to fiber art is because this medium is open for explorations and it has unlimited space for experiments. One of them is the tie-dye technique, which is very interesting for me because the technique gives unpredictable results. I apply this discovery in creating motifs and shapes in my works. The artworks I made are trying to take the audience to see further into the culture of consumerism as an inevitable phenomenon and how interesting it is to be discussed further.

Rifqi’s Statement

transjektory — Wed, 10 Jun 2009 08:42:18 +0000

Artist Statement

Rifqi Sukma

Dunia ketaksadaran merupakan sumber inspirasi yang kaya. Karya-karya saya melibatkan berbagai tanda-tanda nirsadar ini dalam pengalaman hidup saya sendiri. Saya menuliskan kalimat-kalimat yang kadang saya sendiri tidak tahu artinya atau tidak lazim digunakan ketika berkomunikasi dalam keseharian, hanya keluar begitu saja saat sendirian.

Sejumlah kata-kata ini saya tuangkan dalam dalam karya. Seni serat bagi saya merupakan suatu medium yang unik, artistik dan mempesona untuk dieksplorasi menjadi karya. Ia bisa dilipat, dijahit, dibordir, diwarna ataupun dipilin sesuai kehendak hati. Dalam berkarya saya mengunakan tehnik sulam, kniting dan bordir, atau penggabungan dari teknik tersebut.

Ketaksadaran bagi saya, juga sebuah mitos yang menyimpan berbagai tanda yang asing, absurd dan tak dikenal. Melalui karya-karya ini, saya Berharap karya-karya ini bisa mengajak audiens untuk melihat apa yang tidak mungkin dalam bahasa.

The subconscious world is a source rich with inspirations. My artworks elaborates various subconscious symbols within my own personal life experiences.

I wrote sentences that sometimes I don’t know the meanings or it’s not commonly used in daily communication, yet they appear whenever I’m alone.

A number of these words I made into artworks. Fiber art for me is a unique medium, artistic and enchanting to be explored into artworks. It could be folded, sewed, embroidered, colored, or coiled according to the heart’s whim. In creating artworks I used the techniques of embroideries and knitting, or a mixture of both techniques.

Abdul’s Statement

transjektory — Wed, 10 Jun 2009 08:35:39 +0000

Artist Statement

Abdul Syukur

Spiritualisme dalam budaya tradisi menjadi inspirasi yang banyak memengaruhi cara saya berkarya. Khususnya bagaimana spiritualisme ini bertautan dengan dengan budaya modern.

Teknik yang saya gunakan umumnya menggunakan teknik pilin, lukisan, bordir, sulam dan jahit. Teknik ini saya pilih karena memungkinkan saya untuk menghasilkan berbagai bentuk tak terduga.

Garis dan warna pada karya saya mengekspresikan ambiguitas antara apa yang profan dan sakral . Sebagai seniman, saya berharap karya saya bisa memberi kesadaran akan nilai-nilai spiritual yang terkandung dalam berbagai eksistensi budaya tradisi.

Spiritualism in the traditional culture is an inspiration which influences me a lot when creating artworks. Specifically in how spiritualism is interrelated with the modern culture.

The technique I use usually is coiling, painting, embroidery, and sewing. I choose the techniques because they enable me to create unpredictable forms. Lines and colors in my artworks express the ambiguity between the profane and the sacred. As an artist, my hope is my artworks could bring an awareness of the spiritual values embodied within the various existence of traditional cultures.

Press Release

transjektory — Wed, 10 Jun 2009 04:14:57 +0000

Kutipan Kuratorial:

Pengertian serat (fiber) dalam Kamus Besar Indonesia adalah sel atau jaringan serupa benang atau pita panjang berasal dari hewan atau tumbuhan (ulat, batang pisang, daun annas, kulit kayu, dsb) digunakan untuk membuat kertas, tekstil dan sikat. Dari pengertian ini kita bisa memahami substansi media dari cabang seni serat ini adalah pada benang dari bahan sintetis, fauna dan alam. Ada yang difungsikan untuk kepentingan produk massal, ada pula yang difungsikan untuk sarana ekspresi individual.

Keberadaan seni serat di Indonesia kian menunjukkan perkembangan yang dinamis. Media ini kerap dimanfaatkan oleh penekun seni serat untuk tujuan fungsional, namun penggalian seni serat untuk tujuan ekspresi juga menarik untuk kita ikuti.

Caroline Rika (32), Abdul Syukur (30), Rifqi Sukma (29) adalah perupa alumnus FSR ISI, jurusan Kriya Tekstil yang menaruh perhatian serius pada media ini. Masing-masing memiliki sikap estetis dan cara mengeksplorasi yang berbeda-beda. Serat di tangan Rika menjadi sejumlah “jumputan” (teknik celup ikat), bentuk berbagai bulatan yang lucu. Abdul Syukur membuat sejumlah pilinan unik menjadi sejumlah objek trimatra. Rifqi membordir, memayet kain menjadi sejumlah bidang bertekstur. Ketiganya mendekati kain dengan cara yang eksploratif. Rifqi menggunakan bahan kain poliester dan katun. Abdul menggunakan Natol untuk memoles warna. Kemudian Rika juga menggunakan Napthol dan Indigosol dengan menggunakan kain katun. Ia menerapkan motif truntum dalam menggubah figurasi burung, yang dalam hal ini menggunakan teknik batik cap. Ia juga menyematkan teknik border mesin untuk menyematkan label dalam karya-karyanya.

Bentuk visual karya mereka berbeda dengan lazimnya seni serat yang orang lihat pada seni batik dan tapestri misalnya. Dalam terma masa kini, karya-karya mereka memperlihatkan bentuk kontemporer. Artinya, cara mereka membentuk tidak ingin terikat pada pakem gaya tradisional. Penjelahan bentuk ini membuka bentuk pengucapan personal. Membentuk stilisasi dan gaya tersendiri. Di sini saya kira kita bisa mengapresiasi bahwa karya-karya mereka ini membuka peluang untuk melakukan berbagai penjelahan bentuk baru. Benang dalam hal ini menjadi karya objek yang tersusun dari berbagai macam unsur material.

Bidang seni serat ini jelas tidak meninggalkan aspek craftsmanship, ketelitian dalam menentukan dan memilih bahan. Ketiganya berkutat pada bagaimana unsur benang bisa sedapat mungkin melahirkan bahasa artistik. Juga nampak bahwa unsur benang mereka artikan pula sebagai sebuah teks yang tengah menenun dan membentuk dirinya menjadi sebuah style.

Inilah pameran yang menampilkan eksplorasi atas media sekaligus sebagai tanda bahwa seni serat sendiri dalam eksplorasi mereka menjadi berbagai bentuk yang segar dan berbicara. Bentuk yang lahir dari proses menjumput, memilin, membordir dan memayet tidak hanya berarti benang, namun juga teks.

Curatorial Excerpt:

The definition of fiber in the Bahasa Indonesia Master Dictionary is a cell or tissue in the shape of a thread or a long cord, which comes from animals or plants (caterpillar, banana tree, annas leaves, tree barks, etc.) and used to produce paper, textile, and brush. From this definition we can understand that the substance of the fiber art field as medium is the thread, from synthetic material, fauna, or natural. Some are used for the benefit of mass-productions, some are used for a mean of individual expressions.

The existence of fiber art in Indonesia is showing its dynamic developments. The medium is often used by fiber artists for functional means, but the exploration in fiber arts for expression is also interesting to be observed.

Caroline Rika (32), Abdul Syukur Syam (30) and Rifqi Sukma (29) are graduates from FSR ISI, majoring Textile Crafts, and they put great concerns on the medium. Each has different aesthetic inclinations and exploration techniques. Fiber in Rika’s hands becomes ‘jumputan’ (a tie-dye technique), in assorted cute rounded forms. Abdul Syukur created a number of unique knots into three-dimensional objects. Rifqi embroidered and sequined fabrics into textured surfaces.

The three approaches fabric with explorative manners. Rifqi uses polyester and cotton. Abdul uses synthetic textile colorants to give colors. Rika also uses Naphtol and Indigosol to give colors. She applies ‘truntum’ motif in forming the bird patterns, which in this case is using batik-print technique. She also uses embroideries in attaching labels on her works.

Their artworks’ visual forms are different from the usual fiber art that people commonly see in the batik art or tapestry. In modern terms, their artworks are demonstrating contemporary forms. It means, the way they work is not restricted by the traditional style and rules. These form explorations bring forth the shape of personal expressions, constructing unique stylizations and styles. In this case, I think, we could appreciate their artworks as the window of opportunity in doing many new form explorations. Thread in this case becoming an object work, assembled from various types of materials.

This is the exhibition that displays explorations of medium, and at the same time as a sign that fiber art itself, in their explorations, acquires fresh and expressive forms. The forms—born from the process of ‘jumputan’, knotting, embroidery, and sequin—are not merely a bunch of threads, but also texts.

Contact Persons:

Nien:081328030853 / 08882817019

Rika (0818274814)

Abdul (081328746624)

Rifqi: 081328788729

E-mail: rifqisang@yahoo.com

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